Intergeneric Fields of Erasure: Reading Philip Metres’s Sand Opera as Document-Poetry
نویسندگان
چکیده
In the present essay, I engage with Jahan Ramazani’s notion of "inter-genre" to study neoliberal whims U.S. empire through twenty-first-century poetry and in context so-called “War on Terror.” Specifically, concentrate Philip Metres’s "Sand Opera" (2015), reading it as situated intergeneric fields what call “documents-poems.” As argue, most arresting qualities are, first, how grafts documental historical into poetic, and, second, tears at aesthetic panache poetry, thus generating documents-poems rough, bare image scripts empire. thereby sketches racial capitalist dimensions black sites violent, extralegal, globally spread, off-grid projections penalscape maps limits our understanding regarding consequent traumatic loss agency selfhood spaces where predominantly opaque, rationalizations behind Terror” unfold off map. Constitutive a multivocal poetic soundscape, inviting set synesthetic acts reading-looking-listening-touching, reminds readers, again again, uneasy proximations work between war aesthetics "and" language brutality.
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ژورنال
عنوان ژورنال: Amerikastudien
سال: 2023
ISSN: ['0340-2827', '2625-2155']
DOI: https://doi.org/10.33675/amst/2023/2/15